This post is dedicated to my dad.
In our early immigrant days, my parents seldom had days off from work at once, so we hung out individually. As new consumers, we had a lot of catching up to do so we window shopped. A lot. My dad and I loved malls, especially if it had a music store. Stunned by the vast selection and availability, in music, we found a great escape from the stress of feeling foreign in 90’s America.
At his core, my dad’s a free spirit. He loves all things novel, adventurous.. marvels at American ingenuity and appreciates rebellion culture. I love that about him. He considers function before form – he’s an engineer after all – and yet, there is an artist side to him that is rarely seen. He has outfitted entire rooms with modern homemade textile wares like drapery, upholstery and pillows. A meticulous craftsman, he brews artisanal beer, adapts culinary recipes and is generally all up in the DIY. Upcycling was common in the Soviet Union, so according to my mom (and she just shared this recently for I would have mentioned it in an earlier blog post titled “Upcycling for Kidswear,” had I asked about it then), his eye for design plus skills made him quite a catch with the ladies. When they dated, he made her a denim pencil skirt out of imported secondhand jeans. For me, there were jumpsuits, outerwear and hats made from random high end fabric scraps with an aesthetic and construction quality comparable to European style du jour. Best of all, our early home life was filled with music. Loud rock, pop and disco music. Each time we consumed it, his physiognomy would reveal his soul allowing my mom and me to access him emotionally.
The mid 90’s were a time of the compact disc revolution, so as tapes became obsolete, the products of musical creation were merchandised as CDs, and then sold and consumed as albums. The mass music industry was booming, and distribution middlemen exploited unfair licensing structures and naive consumers alike to keep the wheels turning. If, by then, you too had turned into a music junkie like my dad and I had, then you’ll remember those music clubs BMG and Columbia House, peddling mail order offers of 11 CDs for a penny, or 12 CDs for the price of one.
My dad and I were great bait, for as enticing as it was, it only took a few weeks of seduction by catalog that this sweet deal had us on the hook. The offer required 1 CD purchase at regular price, which was an album he was already planning to buy, and a selection of 11 other CDs that would arrive separately at the too-good-to-be-true price of a penny. I translated and completed the order form, while he wrote the check. As financier and administrator, we agreed to split the selection down the middle. But who would get the 11th CD—was still a lingering question. Once settled into our choices, the conversation emerged. He walked into my room, his face all stern and lacking affect, and calmly said, “You get the sixth CD, but I will choose it and it’s going to be this one,” pointing to a black album graphic that read Joan Jett & The Heartbreakers. On it was a picture of woman dressed in all black leather, with big black hair, all black make-up, and a face not to be fucked with. I was half puzzled, half curious and intrigued as hell by his pick for me. With great fascination, I stared at it speechlessly and with a starry eyed smile said “Ok!!”
There wasn’t an internet back then as we know it today, so it’s not like you could google a band to learn more about it. So, once the check and catalog selections were mailed out, an outpouring of endless questions about Joan Jett led to what I like to call some of my first key programming of feminist values. He raved about what a badass she was to break through with rock and roll in a man’s world. His celebration of her achievements validated the feminist position in the gender debate; that women should challenge the status quo and pursue total freedom and equality.
As a 10 year old, I had already downloaded gender bending messages from rap and R&B artists like Salt ‘n Pepa and TLC. But Joan Jett’s work, however, was of a completely different flavor, with an emotionally charged sound that packed a punch of new caliber. The raw, all dominating vocal range, hard femme lyrics, unleashed guitar riffs… and endorsed by my own father nonetheless, led me to push some serious boundaries in school attire. I immediately began to emulate the goth look and my dad didn’t just not question it, he pretended not to notice it which in Former Soviet Union fashion was a sign of acceptance. I lucked out with parents who, during a time when their own identities were in question, tried their absolute best to share with me the most passionate parts of themselves and let me express myself through clothes and appearance.
But back to the music order. Once we got the CDs, our sonic honeymoon lasted for weeks. Music was blasted every weeknight and weekend, and lyrics were thoroughly studied and memorized. Then one day, we started getting CDs we didn’t order, which was followed by a bill for several hundred dollars. For weeks we disputed the charges until finally finding what we did wrong, or more specifically didn’t do right: sending back some extra catalog forms to decline new merchandise. I admit that as administrator and translator, I did not act with due diligence to understand and relay all the fine print. I mean, FINE print. But fuck, I was 10. I just wanted the music. And so did my dad, who by the way wasn’t angry with me at all. We were duped together, after all. And the together part felt far more important to us than being duped.
I sourced my gender non-conforming influences equally from my family and from the art world. But it was my dad who instilled in me an bold sense of self, ready to face adversity, setback or woe. Our joint venture, despite the imperfect outcome, was the pulling of the trigger that killed my many of those timid notions that came with being a resident alien.